You choose what you are by what you do
Our acting teacher, Jon, sends us a daily task. Something small we do as an actor, no more than five to fifteen minutes. Behind it is a simple idea: we are what we repeatedly do. You’re always an actor, and you can signal that to your brain just by doing the task.
What I love about these tasks is that they’re not product-based. We’re not trying to make anything. We’re just edging closer to our craft, building up reference material to draw on later.
That matters because as actors, we’re usually only ever working toward an end product: the audition, the rehearsal, the thing that needs to get done. We rarely get to just play, or sketch. Jon’s tasks are the opposite of that. They broaden our capabilities slightly, sure, but more importantly, they broaden our reference base.
Today’s task was to observe a person in the world through an actor’s lens, and try to figure out what drives them. How are they moving physically? What lens are they seeing the world through? How do they move in relation to the people around them? Then feel into what it would be like to begin playing them: how would you move your body to become this person?
I’m never actually going to play this person. But that’s not really the point. It feeds a longer body of work, a longer collection of references, that might inform something down the line… or might just broaden my reference base as an actor.